• Amphitheatre

  (Anfiteatro). This is in the most easterly corner of the excavated area, near the Sarno Gate entrance. It was completed in 80BC, measures 135 x 104 meters and could hold about 20,000 people. It is the earliest surviving permanent amphitheater in Italy and one of the best preserved anywhere. It was used for gladiator battles, other sports, and spectacles involving wild animals.
• Great Palaestra (Gymnasium). This occupies a large area opposite the Amphitheatre. The central area was used for sporting activities and there was a pool in the middle. On three sides are lengthy internal porticos or colonnades.
• House of the Vettii (Casa dei Vettii). This is believed to have been the home of two brothers who were freed slaves and became very affluent. It contains many frescoes. In the vestibule there is a striking fresco of a well-endowed Priapus, God of Fertility and among the frescos in other parts of the building are illustrations of couples making love, of cupids and of mythological characters.
• House of the Faun (Casa del Fauno). This is named after a statue of a dancing faun found on the site. It is considered to be an excellent example of the fusion of Italian and Greek architectural styles and occupies an entire block.
• Forum. This was the center of public life, although it is now to the southwest of the excavated area. It was surrounded by many of the important government, religious and business buildings.
• Temple of Apollo. This is to the north of the Basilica on the western side of the Forum. It has the oldest remains discovered, with some, including Etruscan items, dating back to 575BC, although the layout we see now was later than that.
• Theatre. Theatre built in the hollow of a hill for acoustic advantage; it seated 5,000.
• Via dei Sepolcri (Street of Tombs)). A long street with worn ruts from carts.
• Lupanar. An ancient brothel with pornographic frescoes over the entrance to each room, presumably indicating the services on offer. Even allowing for the smaller size of ancient Romans the beds seem rather small.
• House of the Ancient Hunt. Attractive, open-style house with many frescoes of hunting scenes.
• Basilica. This is to the west of the Forum. It was the most important public building of the city where both justice was administered and trade was carried on.
• Forum Granary. Artifacts like amphorae (storage jars) and plaster casts of people who did not escape the eruption are stored in this building, which was designed to be the public market but may not have been finished before the eruption.
• Baths. There are several baths to be inspected. The Forum Baths are just north of the forum and close to the restaurant. They are well-preserved and roofed. Be careful not to miss them as the entranceway is a long passage with no indication of the delights inside. The Central Baths occupy a much larger area but are less well-preserved. Close to these are the Stabian baths which have some interesting decorations and give a good idea of how baths used to function in Roman times.
• House of the Tragic Poet (Casa del Poeta Tragico). This small atrium house is best known for the mosaic at the entrance depicting a chained dog, with the words Cave Canem or "Beware of the Dog".

Other things to look for when walking around are:

• The Ground surface. You will see in the ground there are small tiles called cat's eyes. The moon’s light or candlelight reflects off these tiles and gave light, so people could see where they were walking at night.
• Bars and Bakeries. You will walk past where their bars and bakeries once existed. The bars had counters with three to four holes in them. They had water or other beverages available in the holes. The bakeries’ ovens look similar to the old brick stone oven. The House of the Baker has a garden area with millstones of lava stone used for grinding the wheat.

• Street. There are tracks for the carriages in the street for a smoother ride. There are also stone blocks in the street for pedestrians to step onto to cross the street. The sidewalks are higher than the modern sidewalk because the streets had water and waste flowing through them. The stone blocks in the street were also as high as the sidewalk, so people did not walk in the waste and water.

• Plaster Casts. The majority of the inhabitants of the ancient Pompeii died during the eruption and their corpses were entirely buried by hot ashes raining from the sky. In 1870, Giuseppe Fiorelli used a technique based on filling the empty spaces where the corpses had decomposed with liquid plaster in order to produce perfect casts of the victims of the eruption. Once the plaster had hardened, the surrounding soil was removed and the mold was brought to light. This technique was used to produce a number of casts of human bodies, animals, and objects. At the Antiquarium of Boscopreale is also exposed the cast in epoxy resin made in 1984 of one of the victims found in the Villa di Lucius Crassius Tertius at Oplontis. The transparent cast allows viewers to spot jewels and objects that the victims brought with them.

Outside of the city walls:

• Villa dei Misteri (Villa of the Mysteries). A house with curious frescoes, perhaps of women being initiated into the Cult of Dionysus. Contains one of the finest fresco cycles in Italy, as well as humorous ancient graffiti.

In the modern town of Pompei:

• Sanctuary. A church which is a place of pilgrimage for Roman Catholics. For others, it is not a must-see, but should you arrive or leave via the Pompei Santuario station on the Circumvesuviana, rather than Pompei Scavi, you may find it worth at least a brief look inside at this place of veneration of the Virgin Mary.